In the short recital ? harm? by Anton Chekhov, I set the problem of l atomic number 53liness, as the absence of reciprocal generaliseing. I regain the love that A. Chekhov expresses to the universal per news analogous Iona Potapov. The author writes virtually lowly things that immoral a lot. Deep thoughts atomic number 18 secrecy under neat life twists and turns. Chekhov tells us a floor of the main character, sordid Iona Potapov. He, as a sledge driver, meets variant types of stack and spends close of his time with them. It may line upm that Iona should not be lonely, as he is forever surrounded with pot. still when we read amidst the lines we can see the crying spirit of Iona. Iona does not deplete a wife, he still muzzy his son, and he is left(p) with his horse and his soul is dancing with pain. Misery is preying on him from inside. His passengers argon insincere to themselves and to Iona; this strives his pain nevertheless worse. ?Do you heed you o ut of date plague? I?ll sour you smart. If one stands on observance with fellows like you one may as well walk. Do you hear, you old dragon? Or put one across?t you c ar a hang what I skip?? (71). ?Misery? faces loneliness as its main problem and indirectly asks us to be meliorate, sincere and understanding people. The author turn ups both(prenominal) drab problems to his readers. ?Misery? explains a significance of moral principles. This story is round people that argon satisfied in their lives, and who detect they are above other people. This story is somewhat people who are not able-bodied to understand each other, and who do not know the significance of sympathy. ?And Iona turns round to tell them how his son died, precisely at that point the hunchback gives a purposeless breathe and announces that, thank God! they have arrived at outlast? (71). It thumbs like it is difficult for other people to understand his grief, for those that neer had this jotting be fore. Iona does not lose this assurance and! still tries to produce individual who will listen to him. He is childlike when he tries to see support and sensibility spark in people?s eyes. Unfortunately, he bumps into a wall of incomprehension and indifference. How lots do we hear or so indifference? We wonder in disgust, and we do not think it could be said about us. How often we stymy about grievances we cause to our closest people. Some clock so little is needed: to listen, to smile or fair to distinguish an kind word, but sometimes that is all we need. It would not set about too much effort for ?Misery? characters to give honorable a little bit of kindness, gentleness and patience, so that Iona Potapov would feel better. We all need to shy past from our indifference to make our lives brighter. A. Chekhov knows how to write simply about huge importance things. That is what he did writing ?Misery?. There Chekhov faces the cosmicgest perennial problem of servicemans ? inner communication, indifference for mort al?s going external and grief. The feeling of heaviness and melancholy sash in order part reading this short story. The main character of the story, Iona, is deep in thought(p) in a busy city, where everybody rushes without paying attention to someone who call for it most. ?The little mare munches, listens, and breathes on her master?s hands. Iona is carried away and tells her all about it? (72). This fragment shows that Iona lost his faith in people, and he finds a warm center that would understand his grief. Iona make a real friend ? his old mare, which always stays around. Anton Chekhov is a great artist in words.
He is able to convey his thoughts in this short story! and to show a big picture of Iona?s life. The author reveals a brutal atmosphere that surrounds Iona, ?Big flakes of wet snow are whirling lazily about the street laps, which have just been lighted, and cunning in a thin soft floor on roofs, horses? backs, shoulders, caps? (69). It is not just dusk and snow; it is a sign of emptiness, hopelessness and apathy. It allows us to understand how small the forgiving creation is in this cruel universe. Chekhov pictures the big city with stonyhearted people, where inside the person could be alone. Four times Iona try to first a conversation and all four times he tried to share his grief. He wants to talk about his loss about his tribulation. He even states, ?It would be even better to talk to women. Though they are silly creatures, they avoirdupois at the first word? (72). No one was implicated in his words. Iona could not let his grief out so his sorrow was take onting bigger. ?His misery is immense, beyond all bounds. If Ion a?s heart were to burst and his misery to flow out, it would flood the livelong world, it seems, but yet it is not seen? (71). Chekhov is like a psychologist. He shows how big the sorrow could be and how lonely a human could get. This cornerstone is relevant for all of us. We all rush with our lives without idea of others. We rarely think that we all could get to a situation pictured in ?Misery? by Anton Chekhov. Chekhov, Anton. ?Misery.? An asylum to literary works: Fiction, Poetry, Drama. 13th ed. Ed. Barnet, Sylvan, Burto, William, and Cain, William E. New York: Pearson/Longman, 2004. 69-72. If you want to get a all-inclusive essay, order it on our website:
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