Alvin Ailey Contextualisation Essay

Ailey utilise his culture and many childhood memories to nates his choreography on. Church and worship played a huge region in the lives of color Americans and was the center of Aileys community. The exuberance and poignancy of the black have are well served in Aileys splendid.The church was always very important, very theatrical, very intense. The life that went on there and the medication made a great impression on me. (A. P Bailey 1997 pg. 8) He grew up in Texas in the 1930s with both racial segregation and the economy being big problems of the time. Black lives were as peaceful and sacrosanct as racism and poverty would allow. (Dunning, 1996) In those days black good deal were forced into certain sections of the townyou couldnt buy a bear in other sections of the town, so you had to go to schools that were essentially segregated.In spite of the miserable living conditions Aileys community and others alike were elated in church and the drew drop hostelry which was w here all the adults used to go on Saturday nights to move to the blaring juke box. The dew drop inn was a rough place to be. My mother was in there, and everybody was doing what they considered to be the tremendous terpsichoresmany of the same people who went to dew drop inn on a Saturday night went to church on a Sunday morning. In dance I deal with these two very different worlds Blues rooms and revelations. (A. P Bailey 1997 pg23) At the age of 12 Ailey joined his mother in Los Angeles where she was to work as cleaner for a wealthy white family I remember very well seeing my mother on her knees scrubbing these white folks rooms and halls.That image is in my ballet birdsong (A. P Bailey 1997pg32) Here he experienced the theatre and heard the symphony of Duke Ellington for the first time, whos music he later came to pee a total of 14 dances to. Including The River The River is a fabled collaboration between Ailey and Ellington was Ellingtons first symphonic score written sp ecifically for danceThe legendary and highly acclaimed collaboration mirrors together the art forms beautifully. (http//www. exploredance. com/article. htm? id=1635) Creations of Two MasterfulArtists, Alvin Ailey and Duke Ellington by Amber Henrie December 28, 2006. It was not until the 1940s that Ailey took a serious divert in dance, seeing the Dunham Company perform excited him in a way that nothing ever had before. Proving it to be a transcendent experience for him, he felt a connection with her and her dancers and was lifted into another realm. I couldnt believe there were black people on a legitimate stagebefore largely white audiencesdoing afro-Caribbean.Lester Horton not plainly inspired Ailey with his stylized technique and incredibly expressive movement only when also in the way he offered his students a complete tuition teaching them how to participate in all aspects of production from lighting and read music to choosing the correct fabric for performances He knew ev ery fabric in the world and was extremely knowledgeable about color, design, dyeing and tailoringI am still guided by Lesters insistence that costumes moldiness be made from extraordinary fabric (A.P Bailey 1997 pg. 63)The Horton Technique focus on movements that lengthen the spine and the hamstring muscles with flat backs, lateral stretches, descending and ascent from the floor into horizontal positions, release swings, leg swings and deep lunges all of which calculate in Aileys industrial plant regularly. Lester Horton has proved to be Aileys biggest work on the similarities between the 2 choreographers are due to Aileys awe of Horton, his works and his attitude.As he just as Martha Graham had, had a combine racial partnership He realized that you have to use the best dancers regardless of color (A. P Bailey 1997 Pg. 60) All of the above stylistic features are seen in works of Aileys such as Revelations, Cry and examine to name a few. Each using deep plies and stunning line s to create interesting and meaningful viewing, using a combination of modern dance with jazz and classical ballet. Each with a meaning and a communicate to its audiences widely distributed.Ailey (cited by De Frantz) said From his roots as a slave, the American blackness sometimes sorrowing, sometimes jubilant, but always hopeful has created a legacy which have touched, illuminated and influenced the near remote preserves of world purification We bring you the exuberance of jazz, the ecstasy of his spirituals and the dark rapture of his blues. to that degree composition Ailey drew lots of his choreography from his blood memories he did create piece less works too, making more use of ballet technique which can be seen in Streams.After Lester Hortons death, Ailey founded his own company and had great success that still lives to this day he and his company toured worldwide and were awarded with numerous honours before settling In New York. Yet Thomas F DeFrantz (2004) said the unasked question, implicit in scads of feature articles and reviews, seemed to be how could a gay black man from dirt-poor. Rural, depression-era Texas, with peculiar(a) dance training and no college degree found and run the most successful modern dance company in the idioms history?